Reactions, travel, bucket list adventures, personal projects, and everything in between. This is where you’ll find videos from across the years, along with new ones as I keep creating, exploring, and checking more things off the list.
From the channel
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Melvin Maya holds off on reacting to Ren’s new release until it has had time to breathe, then zeroes in on the beat, the lyric-video effects, and the track’s off-kilter humor.
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Melvin Maya’s reaction to Maria Hanciuc watching Ren and Sam Tompkins perform Blind Eyed becomes a small study in live energy, rough conditions, and why the setting matters.
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Melvin Maya and Maria Hanciuc move from first impressions to full repeat-listen territory as Ren and Chinchilla’s live take on “Chalk Outlines” reveals what the studio version only hinted at.
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Melvin Maya and Maria Hanciuc react to a busking session that mixes familiar songs, strong vocal control, and the kind of street performance energy people often walk past without stopping to hear.
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Melvin Maya shifts from Ren’s emotional solo material to The Big Push’s busking energy, and the contrast is what gives this reaction its shape.
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Ren turns an internal argument into a piece of music, theater, confession, and self-acceptance. That combination is why “Hi Ren” keeps hitting first-time listeners so hard.
CXM PRODUCT
A Travel With Melvin design inspired by days on the water.
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Melvin Maya’s reaction to Harry Mack’s Guerrilla Bars clip becomes a useful guide to what makes the freestyle work: speed, crowd awareness, and the strange ease of turning strangers into raw material.
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Melvin Maya’s reaction works because Maria Hanciuc experiences Harry Mack the way many viewers do: shocked first, then fascinated by how much he can build from almost nothing.
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Melvin Maya’s reaction to Eden Nash’s cover of Billie Eilish’s “Come Out and Play” becomes a clear defense of her voice, her range, and why he thinks she has been overlooked.
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Melvin Maya spends this reaction doing two things at once: praising Alex Melton’s cover and reconsidering how Post Malone’s newer material sounds compared with the songs that first made him familiar.
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Melvin Maya’s reaction to Hollow Coves’ “Anew” is part music response, part creative reset: the song’s build, the film-style visuals, and the setting all push him toward travel, photography, and cinematography.
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Melvin Maya comes at Sam Tompkins’ Beyoncé cover with limited familiarity and a clear opinion about the original artist, which makes the reaction more revealing than a simple fan check-in.
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Melvin Maya’s take on Tessa Violet’s “Bad Ideas” is part music reaction, part visual critique, and part creative reset. The song’s playful awkwardness and the video’s monochromatic design give him something real to think about.
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Melvin Maya’s reaction to Ren’s “Down On The Beat” focuses on the production first, then on the playful visuals and the mystery of Viktus.
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Melvin Maya’s reaction is less about shock than craft: Harry Mack reads a distracted Omegle chat, grabs three simple prompts, and builds a freestyle that keeps its shape from start to finish.
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Melvin Maya’s reaction is less about surprise for its own sake and more about watching a familiar punk song get rebuilt into something that feels convincingly rural, layered, and strangely natural.
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Melvin Maya’s reaction to Gorran and Romain’s cover is built around one simple arc: a familiar song, a hesitant opening, and a performance that tightens up enough to win him over.
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Melvin Maya’s response to Tom MacDonald, Adam Calhoun, and Dax is less about controversy than craft: fast delivery, sharp visuals, and a message that pushes back against easy division.
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Melvin Maya and Craig Bush respond to a rare live session where Harry Mack and UK freestyle MC LEEN trade bars over Beardyman’s backing track.
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Melvin Maya’s reaction to Craig Bush’s Harry Mack x Beardyman video centers on a simple idea: the magic comes from two improvisers building the song at the same time, with no script and no reset button.
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Melvin Maya’s watchalong with Craig Bush turns into a quick read on Ren’s dense lyric style, the track’s dark tone, and the artist’s independent release path.
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Melvin Maya and Craig Bush steer this stop in the Ren series toward full rap performance, with the video emphasizing that Ren built the beat himself and pushed the track with a dense, layered style.
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Craig Bush’s reaction to a Ren-led street performance with Sam Tompkins is part music breakdown, part introduction to a wider creative circle, and part reminder of how quickly a crowd can form around the right voice.
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In his first live stream, Melvin Maya answered questions about Ren, reaction videos, cameras, travel, and a new mobile format he hopes will bring strangers into the frame.
