Reactions, travel, bucket list adventures, personal projects, and everything in between. This is where you’ll find videos from across the years, along with new ones as I keep creating, exploring, and checking more things off the list.
From the channel
Watch the trailer and read Melvin Maya's investigation context →
Watch the entire investigation and read the filming notes →
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A short culture explainer becomes more memorable once the creator reaches the Vatican City detail, but the video also sketches the familiar Italy people think they know: food, fashion, art, music, and tourism.
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Melvin Maya’s reaction starts with a back-pain confession, then turns into a lively freestyle session that feels personal because the energy moves both ways.
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Melvin Maya’s reaction to Gorran Kendall’s live acoustic “The Next Time ’Round” is really about hearing a familiar voice in a new setting, where the calmer folk lean and a curious lap-held instrument change the shape of the performance.
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A reaction video about New Zealand turns into a sharper look at daily habits, local taste, and the small surprises that shape how a place feels to live in.
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Melvin Maya connects Molly McKinna to a prior Ren feature, but the reaction quickly becomes about something simpler: a soft voice, careful control, and a Radiohead song he already cares about.
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Melvin Maya reacts to a geography video that keeps revealing another layer of Peru: desert coast, high Andes, Amazon basin, seismic risk, and biodiversity packed into one country.
CXM PRODUCT
A Travel With Melvin design inspired by days on the water.
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Melvin Maya’s first-time reaction to Eden Nash turns on voice, harmony, and a familiar discovery path through the Reniverse. The cover of Khalid’s “Young Dumb and Broke” gives him enough to praise while still leaving a couple of useful questions open.
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Melvin Maya reacts to a Norway food guide and turns it into a practical look at what sounds worth trying, what feels expensive, and what he’d skip.
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Melvin Maya goes into Romain Axisa’s “Beige” expecting another song in the orbit of Ren and The Big Push. What he gets is a short instrumental guitar session, a mood piece with an ending sound that briefly pulls his attention back in.
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Todd Smith’s first listen turns Ren’s ‘Hi Ren’ into a conversation about ambition, illness, self-doubt, and what happens when an artist stops hiding the argument inside his head.
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A reaction video becomes a compact travel guide to the customs, rhythms, and everyday details that can catch first-time visitors off guard.
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Todd Smith’s first real look at Harry Mack’s Omegle Bars 90 leads Melvin Maya’s video into a wider conversation about improvisation, lyrical skill, and why live freestyling still feels different from written rap.
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Melvin Maya’s first reaction to CHINCHILLA’s “Little Girl Gone” becomes a close look at vocal control, texture, and why this solo performance felt stronger than he expected.
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From school-day connections in Houston to television, apps, and talk-show ideas, Todd Smith explains how he built a media career by staying useful, staying visible, and not waiting for permission.
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Melvin Maya watches Harry Mack build a wedding-party freestyle from clothing, reactions, and quick crowd details, then pauses on the speed of the mind behind the mic.
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Melvin Maya hears Ren’s 'Life Is Funny' as a tight, reference-heavy track shaped by isolation, self-questioning, and the pressure to keep creating while stuck inside.
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Melvin Maya’s reaction to a Copenhagen travel clip turns into a simple test: do the city’s most photographed spots still feel convincing once the Instagram filter is gone? The answer, in the video, is yes — but for reasons that go beyond pretty facades.
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Melvin Maya’s take on ‘Same Old Situation’ focuses less on plot or production and more on what the live performance actually does: the control in Sam Tompkins’ highs, the blend of styles, and the appeal of following Ren-adjacent discoveries.
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Melvin Maya’s reaction to Ren and Sam Tompkins’ “Blind Eyed” turns on one unexpected interruption, but the bigger story is the performance energy that survives it.
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Melvin Maya’s reaction to a Santiago travel video becomes a clear read on how the city reveals itself: first through a green park, then the historic center, then a skyline view, and finally a climb to Cerro San Cristóbal.
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Melvin Maya’s reaction turns Sam Tompkins’ solo track into something bigger than a first listen: a reflection on growth, memory, and the long road from kid to adult artist.
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Melvin Maya’s response to a Morocco travel guide is mostly about visual curiosity: vivid blues, coastal scenes, and the questions that come up when a video lets the images do the talking.
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Melvin Maya’s first reaction to Gorran Kendall away from The Big Push is less about a novelty cover and more about a voice that holds up on its own, even in an unfamiliar setting.
