Reactions, travel, bucket list adventures, personal projects, and everything in between. This is where you’ll find videos from across the years, along with new ones as I keep creating, exploring, and checking more things off the list.
From the channel
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Melvin Maya spends this reaction sorting out who is singing, what role each performer has, and why a familiar song still lands when the cover is done well.
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Melvin Maya’s reaction turns a simple top-7 travel list into a readable snapshot of Paraguay: border commerce, capital landmarks, Jesuit history, quiet parks, and a waterfall finale.
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Melvin Maya’s reaction video is as much about the challenge of the prompts as the bars themselves, especially once the card deck and its Korean flash cards come into view.
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Melvin Maya’s reaction to a super quick history of Chile works because the pace stays tight without losing the big picture: geography, resistance, independence, expansion, dictatorship, and modern unrest all fit into one brisk overview.
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Melvin Maya’s reaction to Harry Mack’s Omegle Bars 19 freestyle is less about one standout line than about momentum, control, and the moment the delivery finally clicks.
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Melvin Maya and Hailey Reid use CHINCHILLA’s ‘Little Girl Gone’ to close one rabbit hole while noticing just how wide her range already seems.
CXM PRODUCT
A Travel With Melvin design inspired by days on the water.
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Melvin Maya and his niece Hailey Reid revisit Ren and Chinchilla’s “Chalk Outlines,” and the live version changes the whole shape of the song.
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Melvin Maya and his niece Hailey watch the third chapter of Ren’s trilogy and slowly piece together how Violet changes the story they thought they already knew.
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Melvin Maya and his niece Hailey keep circling the same thing in their reaction to Ren’s third tale: the way the performance uses guitar, voice, camera movement, and character work together so the story feels lived rather than merely sung.
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Melvin Maya and Hailey Reid treat Ren’s “Jenny’s Tale” as the first chapter in a larger story, and the reaction keeps coming back to the same thing: the performance feels staged, narrated, and sung all at once.
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Melvin Maya and Hailey Reid spend this reaction video noticing the same thing from different angles: Sam Tompkins’ control, Ren’s guitar, and the way a busking session can feel more intimate than a studio cut.
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Melvin Maya and his niece Hailey watch The Big Push turn a busking set into a tightly blended run through reggae, gospel-leaning phrasing, and rap energy.
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Melvin Maya and Hailey Reid react to The Big Push’s busking performance and keep returning to the same surprise: a free street set that sounds tightly arranged, soulful, and fully formed.
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Melvin Maya and his niece Hailey Reid do not just react to Ren’s “Hi Ren.” They spend the video untangling why it feels like a one-man theater piece, why the vocal shifts matter, and why the song’s argument about the self lands so hard.
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Melvin Maya’s commentary turns this Harry Mack clip into a small study in adaptability: three prompt words, a beat that feels unstable, and a freestyle that keeps finding its footing.
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Melvin Maya’s reaction to Trick the Fox’s “Lost Boy” turns into a clear argument about where Ren started, what changed, and why that early sound still matters.
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Melvin Maya’s reaction to Korean Englishman’s British rappers-in-Korea video is really about how a food joke becomes a texture test, a barbecue lesson, and a group hangout rolled into one.
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Melvin Maya reacts to The Big Push performing a compact mashup of “These Boots Are Made for Walking,” “Satisfaction,” and “Everybody,” then spends the rest of the video trying to map how the band keeps trading parts without breaking the flow.
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Melvin Maya’s reaction doesn’t just track the countdown. It shows how the Philippines can shift from old Spanish streets to reef water, surf breaks, rice terraces, and beach islands in a single list.
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Melvin Maya and his niece Hailey watch Harry Mack turn a record-shop stop and a growing Amsterdam crowd into a fast, responsive freestyle that feels more alive than a standard online reaction.
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Melvin Maya’s reaction to a super quick history of Argentina turns into something bigger than a timeline. The video keeps circling the same theme: a country shaped by conquest, leadership changes, and resilience, yet still known for culture and achievement.
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Melvin Maya hears Molly McKenna’s Tove Lo cover as soothing and intimate, but he also wants the performance to build sooner and hit with more energy.
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Melvin Maya’s reaction video works because it is not just admiration from the sidelines. It is a guided first watch that lets Hailey Reid hear Harry Mack’s process, question it, and end up impressed by how quickly he builds meaning from whatever people throw
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Melvin Maya’s reaction to Eden Nash’s cover of Rhys Lewis’ “No Right to Love You” is really a discovery piece. He comes in curious, notices a restrained opening, then leans in when her voice expands and the emotion starts to carry the song.
